Its themes of political and religious beliefs, and the use of excessively violent imagery have also raised controversy. The game’s plot and visual aesthetics were particularly praised (with its ending sparking debates across internet forums), while the combat received a divided response with some praising its new additions and others criticizing its simplicity. Upon release, the game received critical acclaim and was favorably compared to, with some even considering it had surpassed, the original BioShock game. BioShock Infinite won numerous pre-release awards for its display at E3 2011, including “Best of Show” from the Game Critics Awards.
The game also features an optional “1999 Mode”, harking back to games like System Shock 2 where decisions made by the player have a more permanent impact on the game. In contrast to the limited spaces of the underwater city of Rapture, the open-air city of Columbia provides for more combat challenges, including combat that takes place aboard the city’s Skyline rollercoaster-like rail system. Elizabeth’s powers can also be used to help fight hostile forces. Like previous BioShock games, the player uses a combination of weapons, gear, and psychokinetic powers granted through vigors. The player controls Booker throughout the game, eventually working with the AI-controlled Elizabeth.
The game’s concept and setting were developed by Irrational’s creative lead, Ken Levine, who took inspiration from both historical events at the turn of the 20th century, as well as more recent ones at the time such as the “Occupy” protests. BioShock Infinite is the third installment in the BioShock series, and though it is not part of the storyline of previous BioShock games, it does feature similar gameplay concepts and themes.
Previously known as “Project Icarus” in development, it was released worldwide on the Microsoft Windows, PlayStation 3, and Xbox 360 platforms on March 26, 2013. “ BioShock Infinite” is a first-person shooter video game developed by Irrational Games, and published by 2K Games.
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